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Direct to Watercolor Part 4 of 4 : Back to the City

August 4, 2014

[If you're linking in from somewhere, this is part 4 of 1 / 2 / 3 / 4]

14June22_Sq_Saint_Louis_Diptych
[Square Saint Louis, Montreal]

I figured it was time to try direct watercolor painting on some complex urban subjects. My previous paintings had been somewhat easier to manage, being in more simplified settings. (Huge tree shapes, isolated, simple structures).

So I headed down to Montreal’s ‘painted ladies’ – the Victorians at Square Saint Louis. This first try was a bit of a shock – harder than I expected to capture these intricate rooftops. All the gingerbread and fish-scale tiles. You can be the judge if this one is a success. I’ll call it a learning experience.

14June22_St_George_Anglican_Diptych
[Saint George Anglican, Montreal]

Moving on to this view of Saint George Anglican church, in downtown Montreal, across the street from the monolithic sandstone block of our central train station, I find a more suitable view.

Still quite a challenge. In real life it’s a busy intersection, lots of traffic, and much of the important information in the church is covered by foliage.

Here’s a series of steps showing how I broke the view into ‘The Three Big Shapes’. I have a section in my upcoming book, in which I suggest a theory. An iconic, or ‘symbolic’ landscape painting could be made of only three shapes – Sky, Ground and Subject. So I say three big shapes, even though in reality it might be five, or seven or how ever many shapes you need.

14June22_St_George_Anglican_Step01

14June22_St_George_Anglican_Step02

14June22_St_George_Anglican_Step03

Any scene, no matter how complex, can be simplified into these ‘puzzle pieces’. What I’ve been calling logical chunks’. The goal of the exercise is to see how FEW of these shapes you need to use. This is the essence of simplification. What can be merged into a shared silhouette? What internal details can be abstracted away?

14June22_St_George_Anglican_Step04

14June22_St_George_Anglican_Step05

14June22_St_George_Anglican_Step06

I try to make each of the shapes I’ve identified with one continuous bead. Carrying a wash down the bell tower, stopping at a logical spot along the ground line. Or working across the roof line of the train station, infusing the whole shape with the grey-green tone of copper cladding. This gives the puzzle pieces an internal unity of color, and sharp edges between plane changes. Where you stop an edge is just as important as where you start.

14June22_St_George_Anglican_Diptych

The last step is the small dark details that turn the puzzle pieces into architecture. All the window ledges, lamp posts and traffic lights. What architects sometimes call ‘street furniture’.

So, thanks for reading all of this! That’s the end of my project on direct-to-watercolor urban sketching. I hope that was interesting, and as always, feel free to send any questions you might have.

~m

8 Comments leave one →
  1. August 4, 2014 8:23 AM

    Wonderful lesson, thank you. – Sharon

  2. Christy permalink
    August 4, 2014 8:37 AM

    This is great! Thank you. I can’t wait for the book to arrive!

  3. August 4, 2014 12:11 PM

    Marc Taro, how many brush(es) have you used? and what size(s)on this painting? Thanks.

    • August 4, 2014 1:18 PM

      This question was already answered in the previous session precisely. Thank you very much.
      You give us great stimulation to paint.

  4. Connor permalink
    August 4, 2014 12:22 PM

    What watercolor brushes do you use? I’m not into watercolor much yet, but I’m trying to get together some decent supplies, other than the spare few watercolor brushes I do have.

    • August 6, 2014 6:54 PM

      Hey Connor – I am mostly using a #14 Escoda, #10 DaVinci, and #7 Winsor and Newton Artist Watercolor Sable (in the long hair version – similar to a rigger).

  5. Sonia Tamez permalink
    August 4, 2014 1:05 PM

    Thank you for not only this set of excellent instructions, but all your contributions and posts over the years. You have inspired and encouraged me and others I know to try new techniques and get out and sketch no matter what the weather is. I can hardly wait until your book arrives! Sonia

  6. August 4, 2014 2:21 PM

    Wonderful! Thank you for sharing so generously your hard learned lessons, they are inspirational!

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