We had a fun little reception in the garden at Villa Guadalupe here in Volterra. Everyone put out their works to recap the week and we had a nice gallery tour. We’d done the same at the class in Cortona, but I wasn’t smart enough to take iPhoto’s :) Here’s our teachers Carolyne Peyron and Simo Capecchi. They took us to all the best places in Volterra, and had new ideas to try at each spot. I was stubborn and stuck to my watercolors – but everyone else learned a lot from Chinese ink, found newspaper collage, blind contour drawing, even painting with wood stain borrowed from some workmen, and alabaster dust from the floor of a sculpting studio. By the way, here’s the view from the villa, and a look inside. You can stay with our wonderful hosts if you like – here’s their air BnB [link].
One of the things we sketched at the Cortona workshop, besides the beautiful scenery and quaint medieval streets, was their Flag Festival. It seemed like a great thing to capture for the folks in my Drawing People in Motion Class.
Here’s some iphone shots for now – I’ll replace these with better quality scans when we get home.
The festival is part of a three day historical event including a crossbow competition and a recreation of a renaissance wedding – which I think was an important alliance between Cortona and a neighboring town. The cast of the recreation are all locals, drawn from the approximately 800 residents. Amusingly, the groom was played by a tall handsome gentleman who owns one of the local art galleries, and the bride by his beautiful daughter.
The flag tossing event itself was full of enthusiasm and intense competitive spirit. Each nearby town sent a delegation, their star flag-tossers marching in through a phalanx of crossed trumpets – like gladiators into the arena.
The event itself was a mix of tossers juggling flags 30 feet in the air while synchronized sprinters wove silk rivers of color around them. Every so often dueling pairs matched their talents in a kind of Kung Fu dance off. A squadron of drummers provided a dramatic martial soundtrack while flagpoles clacked like quarterstaves, whipped over ducked heads and below leaping feet.
In the final spectacle all the teams ran a tight double spiral, filling the small square with upraised 12 foot flags, then peeling back out a huge iron studded gate.
This night was a terrific unexpected bonus to cap our week of sketching in Cortona!
I just wanted to get the word out to any of my readers that my friend and painting buddy Shari Blaukopf has just launched a Craftsy.com class. She’s given me her instructors discount code to pass on to you. Please feel free to share this link with anyone you know!
Use the link (below) and you will get a minimum of 30% off, possibly more. It varies depending on what Craftsy.com is offering in your region. Enjoy the class! ~Marc
This is going to be a great workshop – it’s a small group, which means lots of 1:1 feedback. The town is small enough we can get around on foot, and there are terrific drawing subjects everywhere you look.
I might not be posting for the next few days. We’ll see how busy it is.
Thanks ~ m
I’ve just received a free download from him – and am glad to give it a very positive review!
In this 40 min video, James takes you inside his studio – giving you an over-the-shoulder look at his painting process. He shows tools and materials, his painting methods – from the ideation and initial drawings, through the under painting in casein and eventually the finished effect in oils.
Here’s a great bit (below) where he selectively textures the surface with acrylic modelling paste, so the passages of color to follow can be worked in glazes and scumbles over top. A very efficient method of painting.
Much of the film is on ‘how to be an illustrator’ – more so than how to paint. He gives valuable tips on research and scientific extrapolation from living animals, shows his rough designs and color mockups, as well as the client’s feedback and his final choices. We get to see a plein air study done for authenticity – and even go with him to the client as he delivers the finished paintings. Something that is becoming a rare event in this world of digital art and email.
This kind of first hand career advice is great stuff for someone trying to figure out the profession of illustration.
But you’ll also find plenty of close up demonstrations of his painting method.
In the video he creates two paintings – showing bits of the work from start to finish. Jumping through time to give us the best parts – rather than long stretches of potentially repetitive ‘watch me paint’.
This is not a class for the raw beginner – he is making a real illustration, not taking time to simplify steps for students. So, besides some talk about materials and color choices, you are going right into the real deal.
While he will not explain every brush stroke for you – there is a lot to be learned from careful observation of his painting. It’s well worth watching multiple times. You’re seeing him work up close and personal. If you wanted to paint exactly like James Gurney – the method is here for you to learn from.
I’m always impressed with how efficient his paintings are. You can really see the weight of his experience. No stroke is wasted – every part builds on what went before to a rapid conclusion.
It’s impressive how well he directs himself – painting and shooting the film at the same time, he knows when to set up the cameras and get a great shot. My favorite part being a daring correction where he blithely paints out a finished dinosaur face to make a change he felt improved the storytelling.
His reasons are sound – but it’s a bold change many artists would have shrugged and hand-waved over. A perfect example of what makes a great illustrator. Commitment to getting the story right – even if that means giving up a great bit of painting.
You can purchase the video – entirely shot and produced by James and his wife Jeanette – from his online distributors at Gumroad (credit card) or Selfy (paypal). It is well worth the moderate $15.00 fee. If you are a fan of his work, and would like to see more of the great content on his excellent blog – order your copy today!
I made these sketches last winter, while observing the Blais-Létourneau tobacco trials here in Montreal. You may check back here and read about my experience as a first time court room reporter, and my initial impressions on the sides of the argument.
Yesterday afternoon Justice Brian Riordan (sketched above) published his 236 page ruling – coming down clearly against the tobacco companies. He says:
“Knowingly exposing people to the type of dangers that the Companies knew cigarettes represented without any precaution signals being sent is beyond irresponsible at any time of the Class Period. It is also intentionally negligent.”
So there it is. A straightforward conclusion that the tobacco companies knew they were poisoning people, that they intentionally hid the truth, and profited from those lies of omission.
What this actually means for the industry, and those who are seriously ill remains to be seen – but here’s the meat of the ruling:
Justice Riordan awarded $6.86 billion in moral damages to the almost 100,000 Quebec smokers whose serious illness makes them eligible to be members of this class. Once interest and other charges are added, the total could be $15.5 billion.
Those who have lung or throat cancer will receive $100,000 if they started smoking before 1976 and $80,000 if they started smoking after 1976. Those with emphysema will receive $30,000 if they started smoking before 1976 and $24,000 if after. Once interest is considered, these amounts could be doubled or more.
I believe this means that it is the justice’s opinion, that the warning labels on the packages are insufficient defense – probably they came too late after knowing about the credible threat. (I have not read the report in detail, but this would be my guess as to why complying with labeling was rejected as a defense).
I must also assume that the ‘everyone knows smoking kills’ argument did not absolve the industry. Considering their knowledge that people could not overcome their addictions, despite the warnings and jokes about ‘cancer sticks’ and ‘coffin nails’, it’s not sufficient to say ‘don’t do this thing that I know you can’t resist doing and that I am so seductively advertising to you’.
And then there is the ‘well, motorcycles kill, and we still sell motorcycles’ defense – which apparently also did not hold water. I would imagine the logic is that motorcycles have the potential to be used safely, given proper precautions – whereas there is no safe use for cigarettes.
So damn! We kind of all knew this, but it’s rather incredible to see it happen in court.
I’m excited to see what comes next. Does this mean then that the sale of cigarettes will be banned in Quebec? What will happen at the appeal? I will be watching with curiosity. I’m not sure I will have the opportunity to make any more drawings on the subject – but it was tremendous to be able to be there sketching on that historic occasion.